Of all the insights contained in Aspects of the Novel, none has been more influential or widely discussed than Forster's discussion of "flat" and "round" characters. So familiar by now as to seem commonplace, Forster's distinction is meant to categorize the different qualities of characters in literature and examine the purposes to which they are put. A "flat" character, according to Forster, can be summed up n a single sentence and acts as a function of only a few fixed character traits.
Forster's aim, however, is not to elevate the round at the expense of the flat, although he admits that the round is on the whole always a more interesting creation. Instead, he argues that there are compelling artistic reasons for a novelist to employ flat characters. And there are unquestionably great novelists, such as Dickens, who use only flat characters. Yet it would be a mistake to reduce this book to its most famous line of argument. Aspects of the Novel also discusses the difference between story and plot, the characteristics of prophetic fiction, and narrative chronology.
Throughout, Forster draws on his extensive readings in English, French and Russian literature, and discusses his ideas in reference to such figures as Joyce, Tolstoy, Dostoevsky, James, Sterne, Defoe and Proust. A landmark in literary criticism, Aspects of the Novel has also provoked its fair share of disagreement. There are many critics who take issue with Forster's method as well has his conclusions, but the extent to which this work has come under attack is in many ways just another measure of its vitality.
Log-in or create an account first! Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. Some yellowing to fore-edges and covers; name of former owner recorded in ink on title page. A few minor abrasions to cover. First Edition. First Printing. Small octavo Jacket quited toned with a few small short closed tears, brief loss at top edge of upper jacket panel affecting decorative border, cloth corners bumped, else Very Good and sound in the uncommon jacket. Publisher's order card laid in.
Aspects of the Novel Forster, E. M London: Edwin Arnold, First edition. Fine in tape-repaired dust jacket, with some tanning and chipping to spine. Seller: Michael R. First American edition. Original cranberry cloth in a clipped dust jacket. Considerable wear to dust jacket, including chipping to spine and annotations to front, but a fine, bright copy.
A fine copy of Forster's seminal critical work on fiction writing, first delivered as a series of lectures at Trinity College, Cambridge, in the spring of Kirkpatrick A21b. Considerable wear to dust jacket, including chipping to spine and annotations Edition: First American edition. First edition. Original cranberry gilt-lettered cloth.
Contemporary gift inscription. Some wear to spine. Very good. A crisp, tight copy of Forster's seminal critical work on fiction writing, first delivered as a series of lectures at Trinity College, Cambridge, in the spring of Kirkpatrick A12a. Very good Edition: First edition. Ships with Tracking Number! Buy with confidence, excellent customer service! London: Edwin Arnold, Original red cloth, lettered in cloth.
May not contain Access Codes or Supplements.
Aspects of the Novel
May be ex-library. Aspects of the Novel. Forster, E. Edward Morgan , Harcourt, Brace c. Hard Cover. They were informal, indeed talkative, in their tone Stock 32,x.
Another copy, no dj. English literature.
Seller: The Owl at the Bridge. Very Good in Fair dust jacket. First Edition; First Printing. In Brodart. Aspects of the novel Forster, E. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. Dust jacket quality is not guaranteed. Aspects Of The Novel E.
This book has hardback covers. In poor condition, suitable as a reading copy. Seller: Anybook Ltd Published: This book has soft covers.
Aspects of the Novel - Wikipedia
In good all round condition. Aspects of the novel, E. New York: Harcourt Brace and Company, First edition, , hardcover, octavo, pp. DJ good with edgewear that includes some closed tears and their related creases, rubbing, soil and toning. Collectible - Acceptable. Near good book. Underlining inside. Inquire if you need further information.
Edward Arnold, In lectures delivered "under the auspices" of Trinity College, Cambridge by E. Forster in , the noted author dissects key characteristics in the creation of a novel. He explores essential elements such as characters and plotting; but also less clear-cut aspects such as prophecy, pattern and rhythm.
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First published in , this reprint edition is dated An entry in publisher's series "Uniform Pocket Editions of E. Forster's Works".
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Simple jacket in beige. Jacket displaying some age-toning but intact and protected in removable archival mylar protector. New York: Harcourt, Brace, Dust jacket with short repaired tears. On the title page appears "," but dust jacket has "text of this reissue of Mr. Forster's brilliant discussion is unchanged from the original edition of Later Printing. Original Cloth. First Edition stated. Very Fine in quarter gray linen and brown paper-covered boards. In a Fine pictorial dust jacket.
John Barth's copy - signed by Barth on the half-title. Signed by John Barth. Seller: Johanson Rare Books. Dashiell Hammett: A Life at the Edge. A Biography.
Aspects of the Novel Background
Forster gives us a glimpse on how to be both. View all 12 comments. Oct 14, Bruce rated it really liked it. This fascinating book is a series of lectures and, taking its tone from that format, is delightfully conversational that Forster gave at Trinity College, Cambridge, in The most common denominator of all novels is this: the novel tells a story. This alone does not make a novel good, but without a story a novel cannot exist.
Therefore, ti This fascinating book is a series of lectures and, taking its tone from that format, is delightfully conversational that Forster gave at Trinity College, Cambridge, in Therefore, time is always a crucial element in any novel.