Entitled Literature, the Arts, and the Social Sciences , the volume is divided in two sections, the first one focusing on the relations between literature and the social sciences mainly philosophy and anthropology and the second one focusing on intermediality and the relations among the arts comparative literature and music, literature and the arts of image and sound. Disciplinary designations and the relations that disciplines have to each other vary depending on the national traditions that Bernard Franco confronts. They also involve a different relation to knowledge than that of a Humanist, for whom knowledge is inseparable from a moral stance.
Du titre littéraire et de ses effets de lecture – Protée – Érudit
Comparative approach and method create an intermediate space between the spheres of literary studies and of the human sciences. Stressing the work of differentiation is a tool, used to show the dialogism of generic forms and practices: it is from their relation to practices in other languages, 27 literatures and cultures that these generic forms and genres draw their ability to create new effects of meaning. The fourth volume, Translation and Transfers , is divided in two sections: the first one focuses on translations and translation studies translation in its relations to questions of reception; the specific role of translation in certain literary traditions, especially the Arabic literary tradition; the blurry frontiers between translation and creation , and the second one is devoted to cultural transfers transfers of Western literary concepts towards the East as well as transatlantic transfers.
Three texts introduce the volume and provide a theoretical frame for questions linked to translation and cultural transfers. Following her reflection in Against World Literature. On the Politics of Untranslatability and her coordination of the Dictionary of Untranslatables. She distinguishes between a kind of violence that is internal to the very act of translation at several levels: that of the text to be translated, that of the translator, that of the language of the translated text and a kind of violence that is external and results from the fact that translation is present in situations of historical violence.
After examining how these two types of violence — the ontological violence and the historical violence — can be linked, she suggests some methodological consequences that result from taking into account this articulation. Coming back to the critiques addressed to Comparative Literature by the proponents of cultural transfers — Comparative Literature being accused of looking for universals, of practicing static comparisons, of insufficiently contextualizing its objects, of promoting an interdisciplinarity with no substance, of using a very narrow concept of culture… — Manfred Schmeling shows that these critiques lack nuances and that they hardly take into account the permeability of some frontiers between Comparative Literature and Cultural Studies.
Valery Larbaud, man of passages and translator, is, for Florence Delay, an exemplary figure of these modalities, a figure to whom she pays a vibrant and 29 poetic homage.
Jean-Pierre Changeux presents the broad lines of the research he has been conducting for many years in order to bring closer biological sciences and human sciences, so as to construct a neurological theory of artistic experience. The ICLA twentieth Congress and the present volumes that come out of it certainly do not claim to be the first ones to open such a debate; they, however, hope to contribute to nourishing it.
Ramakrishnan, Harish Trivedi and Chandra Mohan, eds. Anne Tomiche, Friederich, ed. Que sommes-nous? Dictionnaire des intraduisibles edited by Barbara Cassin in Basculer la navigation Classiques Garnier.
Histoire de la Litterature Anglaise (Volume 1 de 5) [French]
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Tome 6. The different paths that readers will choose to follow in the volumes 24 will allow them to construct such a comparison, or rather comparisons — comparison of the ways objects of study are constructed, comparison of the ways the stakes of the approach are elaborated, comparison of procedures… In order to facilitate the reading, the body of texts selected from the twentieth ICLA Congress and coming from the seminar that followed has been organized in six thematically autonomous volumes that are coherent as separate units. Atteindre les notes.
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Histoire de la Littérature Anglaise (Volume 1 de 5) by Hippolyte Taine
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Hint: You can preview this book by clicking on "Preview" which is located under the cover of this book. He was the chief theoretical influence of French naturalism, a major proponent of sociological positivism and one of the first practitioners of historicist criticism. Literary historicism as a critical movement has been said to originate with him.